Tuesday, November 08, 2005

Pinsky on Sadness and Exaltation

Robet Pinsky, courtesy Scott Davidson and Poets.orgI cut out of work a bit early today to hear poet Robert Pinsky speak on Sadness and Exaltation as part of the University of Arizona Visiting Scholar on Creativity and Imagination series.

It was outstanding---not just what Pinsky said (his thesis is that sadness is an intrinsic part of us as humans and therefore us as a community, as a country, and that it is often a precursor to, and indeed a part of, substantial creativity and change) and the literary works he referenced or read (from Dante to Michaeangelo to Mark Twain to Yeats)---but because Pinsky's delivery is animated yet true. A real treat, and a much-needed respite from these many recent long days at work.

During the lecture Pinsky didn't read any of his own poems. However, during the Q&A session, he was asked to read two, and obliged. He closed with "Shirt," which I hadn't heard before but was very moving.

I found it over at Poets.org---you can hear him read it there, as well:

Shirt

The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians

Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band

Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze

At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--

The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out

Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.

A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once

He stepped to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--

Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the pattern matches perfectly
Across the placket and over the twin bar-tacked

Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans

Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,

Bailey, MacMartin. The kilt, devised for workers
To wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,

The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:

George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit

And feel and its clean smell have satisfied
Both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,

The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.


From The Want Bone, published by The Ecco Press. Copyright © 1990 by Robert Pinsky.

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